GRIDs
a series of massively multichannel installation works
| INSTALLATIONS • RESEARCH • WRITING |
RELATED SCHOLARLY ACTIVITY
Batchelor, P. (2007) Really Hearing the Thing: An Investigation of the Creative Possibilities of Trompe L'Oreille and the Fabrication of Aural Landscapes. EMS Proceedings 2007.
Batchelor, P. 2013. The construction of landscape in GRIDs: acousmatic compositional strategies applied to multichannel installations. Paper presented at From Type to TypeDef, University of Sheffield.
Batchelor, P. 2014. Evaluating Acousmatic Compositional Strategies within Public Sound Art. Paper presented at the 2014 Electronic Music Studies Network Conference, Berlin.
Batchelor, P. 2015. Acousmatic Approaches to the Construction of Image and Space in Sound Art. Organised Sound, 20(2), pp.148-159.
Batchelor, P. 2015. From Spaces to Places: multichannel acousmatic music outside the concert hall. Paper presented at BEAST FEaST 2015, University of Birmingham, Birmingham.
Batchelor, P. 2015. a view to somewhere in space: multichannel acousmatic music outside the concert hall. Keynote talk presented at VOLUME Sound & Spatiality Festival, Sibelius Academy, Helsinki.
Batchelor, P. 2017. Through the Looking Glass: Reflectivity vs Transparency; and the embedding of Place through Sound. Paper presented at ARCTIC SOUND & NATURE Conference 2017, University of Lapland, Rovaniemi.
Batchelor, P. 2018. Through the Looking Glass: Reflectivity vs Transparency; and the embedding of Place through Sound. Ed. Jaana Erkkilä-Hill & Jari Rinne. Arctic Sound and Nature: Perspectives on Vibrating Worlds. University of Lapland